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NEW YORK, NEW YORK - JULY 01: People walk near TD Bank as New York City In September, KeyBank CEO Chris Gorman warned the pandemic has. Corridor development aims to increase densities near public transport corridors and stations. The Nearly 500 employees of Key Bank were moved to branch. their heads contemptuously in the direction of a row of empty seats near the from china The Sabres were 19 17 5 away from KeyBank Center last year.

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    One Fringe Place Accessibility

    One Fringe Place

    Free entertainment plus the Theatre Bar: a festive lounge with a magical vibe. Great place to hang out while waiting for a show to start!


    100 W. Chestnut Street

    Rochester, NY 14604


    Rob Ferguson

    Place Accessible Approach/Entrance

    • Venue is at ground level
    • Route of travel is slip resistant and at least 36 in wide
    • Objects can be detected by person with visual disability using a cane
    • Curbs have curb cuts (on East Avenue, Swan and Main Streets)
    • Most direct route is from Main Street (if coming from East End Garage)

    Parking and Drop-Off Areas

    • Garage entrances note 6’10” (or 82”) vertical clearance – less than the 98” vertical clearance for lift-equipped vans
    • Sign above garage entrance notes “Handicap spaces located on levels 1, 2 and 3”
    • Accessible spaces are available in the East End Garage (downtown Rochester)
      • Swan Street entrance offers seven (7) accessible spaces
        • Closest to accessible entrance on route from Barrett Place to Gibbs Street
        • Drop off with accessible path for paratransit users – enter Swan Street from East Avenue or from Main Street
        • Spaces are 8’ wide with 5’ wide access aisles - two spaces have an 8’ wide access aisle
        • Access aisles for van accessible spaces marked with hash marks
        • Automatic door and ramp on the south side of garage to exit onto Swan Street – ramp length 110”/height 4”
      • Main Street entrance
        • A minimum of fifteen (15) accessible spaces on three (3) levels – spaces are closest to exit (level 1) and elevator (levels 2 and 3)
          • Level 1 – (5) spaces near entrance – access aisles for van accessible spaces marked with hash marks
        • Closest to accessible entrance on route from Main Street to Gibbs Street
        • Drop off with accessible path for paratransit users – enter Swan Street from Main Street
        • Curb cuts at Main/Swan Street corners and Main/Gibbs Street corners
    • Accessible spaces marked with International Symbol of Accessibility

    Z:\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\FRINGE FESTIVAL\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\2019\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\Board of Directors\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\Accessibility\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\Web Pages\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\Web pages 2019\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\Garage Map.jpg

    Rooms and Spaces

    • Aisles and pathways are flexible; need to walk among crowded area
    • At least 5’ space for turning a wheelchair completely, when needed
    • Obstacles are cane-detectable in circulation paths through public areas

    Seats, Tables, and Counters

    • Flexible (public space) – no tables or seating
    • Food truck counters higher than 36” since they operate out of the vehicle
    • Vendor booth tables not higher than 36”


    • Accessible portable toilets near the One Fringe Place


    Источник: https://rochesterfringe.com/one-fringe-place-accessibility
    Arte y Confrontación (1910-2010), Curated by Gerardo Mosquera, Museo Del Palacio de Bellas Artes, Mexico City, Mexico
    Tapando el Sol con un dedo: places, spaces, ascension, Curated by William Cordova, Carol Jazzar Conemporary Art, Miami, FL


    Ways of Worldmaking: Notes on a Passion for Collecting, Curated by Cristina & Vivian Nosti, Freedom Tower, Miami, FL
    Arte ≠ Vida: Actions by artists of the Americas, 1960-2000, Instituto Tomie Ohtake, Sao Paulo, Brazil
    Arte ≠ Vida: Actions by artists of the Americas, 1960-2000, Blaffer Gallery, University of Texas, Houston, TX
    Eco, Xiang, Echo: meditations on the african, andean & asian diasporas, Curated by William Cordova, Project Rowhouse, Houston, TX
    Cuban Avant-Garde, Lowe Museum of Art, University of Miami, Coral Gables, FL


    Time + Temp Art and Culture, Center of Hollywood, Hollywood, FL
    Untitled (land-scape), Organized by artist/curator William Cordova and writer Rose Oluronke Ojo, Henry Street Settlement/Abrons Art Center, New York, NY
    The best of New York, Broadway Gallery, New York, NY
    Arte ≠ Vida: Actions by artists of the Americas, 1960-2000, Museo Amparo, Puebla, Mexico
    Arte ≠ Vida: Actions by artists of the Americas, 1960-2000, Museo de Arte Carrillo Gil, Mexico DF, Mexico
    La Luz Permanente-Havana, Private home of the artist Alejandro Ulloa, Havana, Cuba
    La Perra Subasta, Espacio Aglutinador, La Habana, Cuba
    Cumanana, Curated by William Cordova, Saltworks Gallery, Atlanta, GA


    Five solo show, David Castillo Gallery, Miami, FL
    Preview Berlin, David Castillo Gallery, Miami, Florida; Berlin, Germany
    Visiones: 20th Century Latin American, Art Boca Raton Museum of Art, Boca Raton, FL
    Valoarte 08, Galeria Nacional, San Jose, Costa Rica
    Next Art Fair, David Castillo Gallery, Miami, FL
    Unbroken Ties: Dialogues in Cuban Art, Museum of Art, Fort Lauderdale, FL
    Choy / Leon, collection, Centro Cultural de Animacion Misionera, Jose Maria Claret, Santiago de Cuba
    Arte ≠ Vida: Actions by artists of the Americas, 1960-2000, El Museo del Barrio, New York, NY


    Miami Contemporary Artists: Creating a Scene, Freedom Tower, Miami, FL
    Los Nuevos Leones, Forum Universal de las Culturas, Sala de Generadores, Parque Fundidora, Monterrey, Mexico
    Latin Masters, Nassau County Museum, Roslyn Harbor, New York NY
    Cuban Avant-Garde, Harn Museum of Art, University of Florida, Gainesville, FL
    Killing Time, Exit Art, New York, NY
    Drawn In / Drawn Out, Ritter Gallery, Florida Atlantic University; Boca Raton, FL


    Waiting List, Time and Process in Contemporary Cuban Art, City Art Museum Ljublana, Ljublana, Slovenia
    Unbroken Ties: Dialogues in Cuban Art, Museum of LatinAmerican Art, Long Beach, CA
    The Square Roots of Drawing, Temple Bar Gallery, Dublin, Ireland
    Courant, National Gallery, Cayman Islands, B.W.I.
    CIRCA, International Art Fair, San Juan, PR
    Finalist for the Cintas Foundation, DACRA, Miami, FL
    Miami in Transition, Miami Art Museum, Miami, FL


    Salón de Arte Religioso Parroquia Santísima Trinidad, Centro Cultural y de Animación Misionera, San Antonio María Claret, Santiago de Cuba
    Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL
    In Place of Place, One Night Gallery (project), Los Angeles, CA
    Miami, Visions of Now, J. Johnson Gallery, Jacksonville Beach, FL
    Mayo Abstracto, Centro de Arte Contemporáneo Wilfredo Lam, Havana, Cuba
    Social Strategies: Redefining Social Realism, Newcomb Art Gallery, Tulane University New Orleans, LA


    Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL
    10 Floridians, Miami Art Central, Miami, FL
    Inside / Outside: Contemporary Cuban Art, Charlotte and Philip Hanes Art Gallery in Scales Fine Arts Center, Wake Forest University, Winston-Salem, NC
    A Matter of Facts, Nicole Klagsbrun Gallery, New York, NY
    Latin American Art, Palazzo Mediceo, San Leo, Italy
    Social Strategies: Redefining Social Realism, The University Art Museum, University of California, Santa Barbara, CA
    Social Strategies: Redefining Social Realism, University Galeries, Ilinois State University, Normal, IL
    Social Strategies: Redefining Social Realism DePauw University Art Gallery, Greencastle, IN
    Paradise Lost? Aspects of landscape in Latin American Art, Lowe Art Museum, University of Miami, Coral Gables, FL
    Drawings Conclusions, Buena Vista Building, (DACRA, Miami Design District), Miami, FL


    Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL
    Miami Currents, Miami Art Museum, Miami, FL
    No Show, Fredric Snitzer Gallery, Miami, FL
    Parallel Zone, Buick Building (Dacra, Miami Design District), Miami, FL
    That Place, Mia Gallery, Miami-Dade Aviation Department Division of Fine Art & Cultural Affairs, Miami, FL
    Effexor 75, Kevin Bruk Gallery, Miami, FL
    The Cuban Poster Project, The Advertising Club, New York, NY
    The Miami Alphabet, A-Z, Miami-Dade Public Library, Miami, FL
    That Place, More and Buick Buildings, Miami Design District, Miami, FL
    Florida Landscape / Escape, Miami-Dade Public Library, Miami, FL


    globe>miami>island, Bass Museum, Miami Beach, FL
    Art Miami, NFA Space, Miami, FL
    Breaking Barriers, Naples Museum of Art, Naples, FL
    Publikulture, Museum of Art, Fort Lauderdale, FL
    La Gente en Casa, Museo Nacional de Bellas Artes, (VII Havana Bienal), Havana, Cuba
    Freedom Rocks, Fredric Snitzer Gallery, Miami, FL
    Dimensions Variable, NFA Space, Chicago, Illinois.


    Sarasota Biennial, Ringling Museum of Art, Sarasota, FL
    Home Invasion, Private home of the artist Eugenia Vargas, Miami, FL
    Inundaciones, Centro de Cultura Contemporanea, Barcelona, Spain
    Art Al Hothel, Hotel Ingles, Galeria Art Al Rec, (Barcelona), Valencia, Spain
    Art Miami, Ambrosino Gallery, Miami Beach, FL
    Departing Perspective, Former Spiritu Santo Bank, Fredric Snitzer Gallery, Miami, FL
    Breaking Barriers, The Snite Museum of Art, University of Notre Dame, Notre Dame, IN


    Hort 41, Museum of Art, Fort Lauderdale, FL
    Hot Spots, Weatherspoon Gallery, University of North Carolina, Greensboro, NC
    Hot Spots, Pittsburgh Center for the Art, Pittsburgh, PA
    Art Gang, The Warehouse, Miami, FL
    There is no ‘I’ in Team, NFA Space, Chicago, IL


    Back Holiday, Former Key Bank Building, Skowhegan, ME
    Abierto 24 Horas, Festival de Fallas, Valencia, Spain
    Cuban Performance Art of the 80′s (Chronology), InterAmerican Gallery, Miami Dade Community College, Miami, FL
    The Gramercy Fair, New York Ambrosino Gallery, Miami, FL
    Metaphors, American International College, Springfield, MA
    The Gramercy Fair, Miami Beach, Ambrosino Gallery, Miami, FL


    The Gramercy Fair, Ambrosino Gallery, Miami, FL
    Breaking Barriers, Museum of Art, Fort Lauderdale, FL
    Regional Artists: A Survey, Museum of Art Fort Lauderdale, FL
    Life Cycle, Ambrosino Gallery, Miami, FL
    Drawing the Line, Ambrosino Gallery, Miami, FL


    Chicago International Art Fair, Ambrosino Gallery, Miami, FL
    Cuba Siglo XX Modernidad y Sincretismo, Centro Atlántico de Arte Moderno, Las Palmas, Canary Islands; Fundación CAIXA, Palma de Mallorca & Centro de Arte Santa Mónica, Barcelona, Spain


    Black Box, Ground Level Gallery, South Florida Art Center, Miami Beach, FL
    Carne Asada, Universidad de Monterrey, Monterrey, Mexico
    Symbolism in Contemporary Cuban Art, Porter Randall Gallery, La Jolla, CA


    Vanguardia de Artistas Cubanos Contemporáneos, Centro de Arte Euroamericano, Caracas, Venezuela
    Art Miami, Ambrosino Gallery, Miami, FL
    Cuban Art-The Last Sixty Years, Panamerican Art Gallery, Dallas, TX


    Made in Cuba, Krings Ernst Galerie, Cologne, Germany
    Carib-Art, Contemporary Art of the Caribbean, National Commission for UNESCO, International Trade Center, Curacao
    Art Miami, Galería Nina Menocal, Mexico City, Mexico
    Art Miami, Miami, FL


    Seville ’92 Universal Fair, Fondo Cubano de Bienes Culturales, Havana
    X Muestra de Grabado, Engraving Museum, Curitiba, Brazil
    Naves, Ex Convento de Santa Teresa La Antigua, Mexico City, Mexico
    Los Cubanos Llegaron Ya II, Galeria Nina Menocal, Mexico City, Mexico
    La Década Prodigiosa, Museo del Chopo, Mexico City, Mexico
    Maestros de la Pintura Cubana, Centro Provincial de Artes Plásticas y Diseño, Havana, Cuba
    I Feria de Guadalajara, Galería Nina Menocal, Mexico City, Mexico
    Bienal de Guayana, Museo Jesus Soto, Ciudad Bolivar, Venezuela
    Von Dort Aus Kuba, Ludwig Forum Fur Internationale Kunst, Aachen, Germany
    I Bienal de Pintura del Caribe y Centro America, Galeria de Arte Moderno, Santo Domingo, Dominican Republic


    15 Artistas Cubanos, Galería Nina Menocal, Mexico City, Mexico
    Juntos y Adelante, Casa del Joven Creador, Havana, Cuba
    Nuevas Adquisiciones Contemporaneas: Muestras de Arte Cubano, Museo Nacional de Bellas Artes, Old Havana, Cuba
    Los Hijos de Guillermo Thell, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela
    Los Cubanos Llegaron Ya, Ninart, Centro de Cultura, Mexico City, Mexico
    Las banderas son pasto de polillas, VII Bienal Internacional de Humorismo, Galería Eduardo Abela, San Antonio de los Baños, Havana, Cuba
    La Huella del Pulgar, Galería de La Habana, Havana, Cuba
    Exposición Colectiva de Artistas Internacionales XII Aniversario, Galería Manolo Rivero, Merida, Yucatan, Mexico


    Kuba OK, Aktuelle Kunst aus Kuba / Arte Actual de Cuba, Städtische Kunsthalle Düsseldorf, Dusseldorf, Germany
    El Objeto Esculturado, Centro de Desarrollo de las Artes Visuales, Old Havana, Cuba
    No Man is an Island, Porin Taide Museo, Pori, Finland; Mucsarnok Museum, Budapest, Hungary & Palffy Palace, Vienna, Austria
    The Nearest Edge of the World, Massachusetts College of Art, Boston, MA; also traveled to The Bronx Museum, NY; Mexic-Art, Austin, TX and to Nexus Contemporary Art Center, Atlanta, GA
    No por Mucho Madrugar Amanece Mas Temprano, Fototeca de Cuba, Old Havana, Cuba
    Segundo Encuentro de Jovenes Artistas, Museo Provincial de Villa Clara, Villa Clara, Cuba
    Pintura Cubana de Hoy, Universidad Politécnica, (under the auspices of Galería Duris de Samos), Madrid, Spain
    Salón de Artes Plásticas UNEAC 90, Museo Nacional de Bellas Artes, Old Havana, Cuba


    II Bienal de Cuenca, Museo Municipal de Arte Moderno, Cuenca, Ecuador
    III Bienal de La Habana, Museo Nacional de Bellas Artes, Havana, Cuba
    Es sólo lo que ves (abstract art), Havana, Cuba (censored)
    Arte Cubano en Boston, Massachusetts College of Art, Boston, MA
    Kitsch, (III Havana Biennale) Galeria de Arte Galeano, Havana, Cuba
    La Habana en Madrid, Centro Cultural de la Villa, Ayuntamiento de Madrid, Madrid, Spain
    Homenaje a Hans Haacke, ABTV collective, Castillo de la Real Fuerza, Museo Nacional de Bellas Artes, Havana, Cuba


    Pintura Cubana Actual, Capilla del Antiguo Hospital de Santa Cruz & Galeria GSA, Barcelona, Spain
    Cuban Art in Boston, Massachusetts College of Art, Administration Building, Boston, MA
    VIII Bienal de San Juan del Grabado Latinoamericano y del Caribe, Arsenal de la Marina, San Juan, PR
    II Encuentro de Jóvenes Artistas Plásticos, Salón de la Plástica Joven Museo Provincial de Villa Clara, Santa Clara, Villa Clara, Cuba
    No Es Sólo lo que Ves, Facultad de Filología, Universidad de La Habana, Havana, Cuba
    Cuban Art, Tetriakof Gallery, Moscow, USSR
    Bienal de Grabado Latinoamericano, San Juan, PR
    Encuentro de Grabado, Museo Nacional de Bellas Artes, Havana, Cuba
    Salon de la Ciudad ‘88’, Centro Provincial de Artes Plasticas y Disceño, Havana, Cuba
    Kubarekiko Ihardunaldiak (Arteko Erakusketa), Euskal Fondoa Bilbao/Teatro Arriaga, Bilbao / Vizcaya / Guipuzcoa / Alaba, Pais Vasco, Spain
    Ojo, Pinta, Collaboration with Arte Calle collective, Galería L, Havana, Cuba.


    1er Encuentro de Jóvenes Artistas Plásticos, Museo Provincial de Villa Clara, Villa Clara, Cuba
    Magic Realism, Pentonville Gallery, London, England
    Concurso 13 de Marzo, Galeria L, Havana, Cuba
    Serigrafia Cubana, Paris, France, Barcelona, Spain, Montevideo, Uruguay, and Warsaw, Poland
    Aire Fresco, Galeria Plaza Vieja, Fondo Cubano de Bienes Culturales, Havana, Cuba
    Veintitantos Abriles, Galeria Habana, Havana, Cuba
    Salon de Pequeño Formato, Galeria L, Havana, Cuba
    Salón Plaza ’87, Centro de Arte 23 y 12, Havana, Cuba
    Encuentro de Grabado 87, Museo Nacional de Bellas Artes, Old Havana, Cuba
    La otra produccion, Galeria Galeano, Havana, Cuba


    Concurso 13 de Marzo, Centro Provincial de Artes Plasticas y Disceño, Havana, Cuba
    Untitled, Galeria 23 y 12, Havana, Cuba




    “30 Art Exhibitions to View in N.Y.C. This Weekend”, The New York Times, July 25, 2019.
    “’Mundos Alternos,’ Where Other Worlds Come to Life”, The New York Times, July 15, 2019.
    Cabanas, Kaira. “GLEXIS NOVOA: CUBAN LEGACY GALLERY AT MDC”, Artforum, April 2019.
    “’Lines of Fracture’ at David Castillo Gallery, Miami”, Artnews, February 28, 2019.
    “David Castillo Gallery to present works by stellar group of artists at Art Basel Miami Beach”, Artdaily.org, November 2018.
    “’Deconstruction: A reordering of life, politics, and art’ at Patricia & Phillip Frost Art Museum, Miami”, Blouin Artinfo, September 25, 2018.
    “12 Miami artists headline major show at the Frost Art Museum FIU”, Artdaily.org, August 2018.
    Austin, Tom. “20 artists in 20 hours: It’s so Miami. Just one more reason to hit an art space now.”, Miami Herald, August 12, 2018.
    Newman, Ed. “Frost Museum in Miami Hosts ‘Deconstruction: A Reordering of Life, Politics and Art’”, Medium, August 2, 2018.
    Batet, Janet. “Deconstruccion: vida, politica y arte en el FROST”, el Nuevo Herald, July 26, 2018.
    “‘Deconstruction: A Reordering of Life, Politics and Art’ at the Frost Art Museum”, Highbrow Magazine, July 22, 2018.
    “El Museo de Arte Frost eelebra sus diez años con artistas de EE.UU. y America Latina”, el Diario, July 13, 2018.
    Cascone, Sarah & Caroline Goldstein. “From Frida Kahlo in London to Casanova in Boston, Here Are 29 Museum Shows Worth Traveling for This Summer”, Artnet News, July 10, 2018.
    “Deconstruction: A Reordering of Life, Politics and Art”, Luxe Beat Magazine, May 2018.
    Matos, Dennys. “Strategias desobedientes en el arte vubano contemporaneo”, el Nuevo Herald, June 7, 2018.
    “Abstraccion Solida. Estrategias desobedientes en el arte Cubano contemporaneo”, C& America Latina, June 2018.
    Batet, Janet. “Abstraccion solida: El arte abstracto Cubano del siglo XXI”, Cuban Art News, May 30, 2018.
    Woolridge, Jane. “This art belongs to the people—and Miami’s outdoors (for now)”, Miami Herald, July 2017.
    Tschida, Anne. “Who says Miami’s art scene closes in summer? Shows at three spaces prove otherwise”, The Miami Herald, May 5, 2017.
    “Adios Utopia, Hello Texas: The first major U.S. show since 1942 of Cuban art comes to Houston”, Texas Observer, March 2017.
    Delson, Susan. “Exhibition Walk-Through: Wild Noise/Ruido Salvaje at the Bronx Museum”, Cuban Art News, February 23, 2017.
    Cotter, Holland. “A Bumpy Journey From Havana to New York Ends at ‘Wild Noise/Ruido Salvaje”, The New York Times, February 16, 2017.
    Valdes, Rachel. “Glexis Novoa en el Museo Nacional de Bellas Artes”, Cubanet, October 6, 2016.
    “Cuba. Tatuare La Storia”, Silvana Editoriale, August 2016.
    Batet, Janet. “Artists, Institutions, and “The Lost Generation”: Dialogues in Cuban Art, Part 2”, Cuban Art News, June 2, 2016.
    Fernandez, Hamlet. “Reflections on the Biennial: Successes, Skepticism, and a Look Toward the Future”, Cuban Art News, February 25, 2016.
    Thea, Carolee. “On Curating”, Distributed Art Publishers, January 2016.
    Hart, Jane. “100+ Degrees in The Shade: A Survey of South Florida Art”, Name Publications, December 2015.
    Fusco, Coco. “Dangerous Moves: Politics and Performance in Cuba”, Tate Publishing, November 2015.
    Deupi, Jill. “Glexis Novoa: Emptiness”, brochure, Lowe Museum, November 2015.
    Batet, Janet. “Glexis Novoa: estimulante viaje circular”, El Nuevo Herald, September 2, 2015.
    Padron Azcuy, Leon. “Un desahucio post Bienal de La Habana”, Cubanet, August 28, 2015.
    Matos, Dennys. “Glexis Novoa. Entrevista”, DM Art Pro, August 12, 2015.
    Turner, Elisa. “Novoa Glexis Draws Big Picture in ‘Emptiness’”, Hamptons Art Hub, July 30, 2015.
    Borges Perez, Octavio. “Fantastica acogida una obra de Glexis Novoa en la XII Bienal”, Agencia Cubana de Noticias, June 2015.
    Delson, Susan. “Warming Trend”, Blouin Art + Auction, May 2015.
    Araño Arencibia, Laura. “Conversando con Glexis Novoa ‘detrás del muro’”, Art Oncuba, April 28, 2015.
    Sicot, Catherine & Ryan Stone. “Glexis Novoa: Inner Power”, Wondereur, March 2015.
    Batet, Janet. “Glexis Novoa: regreso a la etapa práctica”, El Nuevo Herald, November 2014.
    Suarez, Carlos. “To Cuba and Back: Glexis Novoa Dwells on the Contradictions of the Communist Country”, Miami New Times, October 21, 2014.
    Taschida, Anne. “A burst of new paintings by Glexis Novoa”, Knight Arts, October 2014.
    Ceregido, Elizabeth, “Painting on canvas”, catalogue, Juan Ruiz Gallery, October 2014.
    Banks, Grace. “Destination/Havana”, Elephant Magazine, August 2014.
    Mosquera, Gerardo. “Lost in Landscape”, catalogue, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, April 2014.
    Borja-Villel, Manuel J., Tamara Diaz & Teresa Velazquez. “Playgrounds, reinventae la plaza”, catalogue, April 2014.
    Weiss, Rachel. “Rachel Weiss on Curadores, Come Home! At Espacio Aglutinador”, Cuban Art News, October 29, 2013.
    Bedevia, Aracelys. “El primoroso encanto de los cien años”, Juventud Rebelde, July 13, 2013.
    Cuellar Ledesma, Diana. “I Speak For My Difference, Losing the Human Form: A Seismic Image of the 1980s in Latin America Third Text”, April 4, 2013.
    Espinosa Delgado, Magaly. “El canto del cisne”, El Correo Del Archivo, April 30, 2013.
    “Perder la forma humana, Una imagen sismica de los anos ochenta en America Latina”, catalogue, Museo Nacional Reina Sofia, December 5, 2012.
    Fuenmayor, Jesus, Natalia Zuluaga, & Elizabeth Ceregido. “Not me: subject to change, 2012 CIFO grants & commissions program exhibition”, catalogue, CIFO, December 5, 2012.
    Herrera, Adriana. “Not me: subject to change”, Arte Al Dia, December 2012.
    de la Nuez, Ivan. “El arte latinoamericano de la indisciplina” El Pais, October 27, 2012.
    Ostrow, Saul. “Mix and Match at Meditations Biennale”, Art in America, October 2012.
    Carvalho, Denise, Friedhelm Mennekes, Fumio Nanjo & Tomasz Wendland. “Meditations Biennale”, catalogue, Muzeum Narodowe, September 14, 2012.
    Mosquera, Gerardo. “CRISISSS…America Latina, arte y confrontacion 1910-2010”, catalogue, Palacio Nacional de Bellas Artes, December 3, 2012.
    McClintock, Diana. “Glexis Novoa: Saltworks Gallery”, Art Papers, January 2012.
    Weiss, Rachel. “To an from utopia in the new cuban art”, University of Minnesota Press, February 1, 2011.
    O’Reilly Herrera, Andrea. “Cuban Art Across the Diasporas”, University of Texas Press, January 22, 2011.Herrera, Adriana. “Glexis Novoa: Farside Miami”, Arte Al Dia Internacional, January 15, 2011.
    “Ways of Worldmaking: Notes on a Passion for Collecting”, catalogue, Freedom Tower, October 2010.
    Herrera, Adriana. “Glexis Novoa y el acierto de sus ficciones urbanas”, El Nuevo Herald, October 17, 2010.
    Marinelli, Claudio. “Una Coleccion de Arte Cubano”, Editemos Estrategias Editorial, October 2010.
    Ceregido, Elizabeth. “Project Row Houses”, Literal, July 2010.
    Caputo, Amalia. “Glexis Novoa: Solo Show, David Castillo Gallery”, ArtNexus, October 2009.
    Feaster, Felicia. “Cumanana”, Art Papers, May 2009.
    Cullen, Deborah, Gabriela Rangel, Robert Neustadt, Claudia Calirman, & Elvis Fuentes. “Arte ≠ Vida: Actions By Artists of the Americas, 1960-2000”, catalogue, El Museo del Barrio, January 2008.
    Carvalho, Denise. “Poetics and Utopia in Cuban Contemporary Sculpture”, Sculpture Magazine, March 2008.
    Weinberg, Michelle. “The Visionary”, MAP, April 2008.
    Marx, Jonathan. “Cuban artist Novoa contemplates the power of architecture and the architecture of power”, The Tennessean, July 27, 2008.
    McCoy, Adam. “Landscape of Events”, invitation, Cheekwood Museum, July 2008.
    Moreno, Gean. “Las armas se determinan segun el campo de batalla”, Artes Magazine, July 2008.
    Charpenel, Patrick, Miguel González Virgen, Ana Elena Mallet Cárdenas. “Los Nuevos Leones”, catalogue, Forum Universal de las Culturas, 2007.
    Stojanovic, Jelena, Reiko Tomii, Chris Gilbert, Jesse Drew, Rachel Weiss, Ruben Gallo, Alan W. Moore, Okwui Enwezor, Irina Aristarkhova & Brian Holmes. “Collectivism
    After Modernism”, University of Minnesota Press, 2007.
    Clemence, Paul & Julie Davidow. “Miami Contemporary Artists”, 2007.
    Oroza, Ernesto. “Glexis Novoa”, invitation, October 13, 2007.
    Leyva, Irina. “Glexis Novoa: Visionary Artist, The Lowe Museum”, ArtNexus, October 2006.
    Gerson, Denise M. & Paula Harper. “Glexis Novoa, Visionary Artist”, catalogue, Lowe Museum, April 15, 2006.
    Dexter, Emma & Ruben Gallo. “Vitamin D: New Perspectives in Drawing”, Phaidon Press, June 2005.
    “Artist Project / Landscape of Symbols”, Cabinet Magazine, June 2005.
    Birbragher, Francine. “Glexis Novoa: Monograph”, ArtNexus, December 2004.
    McQuaid, Cate. “Artist draws on the past to create a vision of Worcester’s future”, The Boston Globe, January 2004.
    Cabañas, Kaira M., “Safe and Quiet”, invitation, Bernice Steimbaum Gallery, October 2002.
    Wilson Lloyd, Ann. “Glexis Novoa at the Miami Art Museum”, Art in America, June 2002.
    Birbragher, Francine. “Glexis Novoa: Solo Show, Miami Art Museum”, ArtNexus, February 2002.
    Weinstein, Joel. “Glexis Novoa: Solo Show, Mosquera Mosquera Orthodontic”, ArtNexus, October 2001.
    Damian, Carol. “Glexis Novoa: Solo Show, Galeria Ambrosino”, ArtNexus, May 2000.
    Novoa, Glexis, & Emilio Perez. “Cuban Performance Art of the 80’s (Chronology)”, catalogue, August 9, 1998.
    Blanc, Guilio V., & Antonio Eligio Fernandez (Tonel). “El Poder”, catalogue, November 9, 1993.
    Nikkei news, March 30, 1993.
    Mosquera, Gerardo. “Los Hijos de Guillermo Tell”, catalogue, Museo de Artes Visuales Alejandro Otero, February 3, 1991.
    Monsalve, Yasmin. “La plástica cubana es hoy una osada tribuna crítica”, El Nacional, January 30, 1991.
    “Kuba ist o.k.”, NRZ Düsseldorf, March 29, 1990.
    Fernandez, Antonio Eligio. “¡Patria o Muerte! (etapa practica)”, catalogue, 1989.
    Novoa, Glexis, Santiago Rodriguez Z., & Carlos Rodriguez Cardenas. “To be or not to be (etapa romántica)”, catalogue, November 8, 1988.
    Nussa, Ele. “Lo Nuevo, lo estrafalario, lo insólito”, Encuentro de Grabado, September 25, 1987.
    Eligio, Antonio. “¿Por quién dobla la campana?”, Encuentro de Grabado, November 21, 1987.
    Oramas, Ada. “Granma”, Encuentro de Grabado, September 25, 1983.
    Alonso, Alejandro G. “Juventud Rebelde”, Encuentro de Grabado, September 25, 1983.
    Pelaez, Rosa Elvira. “Cartelera”, Encuentro de Grabado, September 25, 1983.





    Residency Unlimited, Brooklyn, NY


    McColl Center for Art + Innovation, Charlotte, North Carolina, U.S.


    (AIR) Grant Program, Joan Mitchell Center, New Orleans, LA


    The Joan Mitchell Foundation Grant Program, New York, NY


    CIFO Grants and Commissions Program, Miami, FL


    South Florida Cultural Consortium Fellowship for Visual and Media Artists, Miami, FL
    Project Row Houses Residency, Houston, TX


    Cintas Fellowship Award, New York, NY


    School of Painting and Sculpture, Skowhegan, ME





    Pelusio, Kendall Lake Branch Library, Miami-Dade Art in Public Places, Miami, FL


    N. E. O. (New Economical Order), Related Group Collection, One Miami, Miami, FL


    Four seasons island, Related Group Collection, The Four Seasons Miami, Miami, FL
    From Murano grande, Related Group Collection, Murano Grande, Miami Beach, FL




    American Express Minneapolis, MN
    Centro Wifredo Lam, Havana, Cuba
    Cintas Fellowship, New York, NY
    Cisneros Fontanals Art Foundation, Miami, FL
    Craig Robins, Miami Beach, FL
    Federal Reserve Bank of Atlanta, Atlanta, GA
    Fondo Cubano de Bienes Culturales, Havana, Cuba
    George Lindemann, Miami Beach, FL
    Jorge M. Perez, Miami, FL
    Lehigh University Art Galleries Teaching Collection, Bethlehem, PA
    Lowe Museum University of Miami, Coral Gables, FL
    Ludwig Forum Fur Internationale Kunst Aachen, Germany
    The Farber Collection New York, NY
    Museo Histórico de Santa Clara, Santa Clara, Cuba
    Museo Nacional de Bellas Artes, Havana, Cuba
    Nassau County Museum of Art, Long Island, NY
    Peggy Cooper Cafritz, Washington, D.C.
    Pérez Art Museum Miami, Miami, FL
    Prince Egon von Furstenberg, Milan, Italy
    Related Group, Miami, FL
    Robert S. Wennett and Mario Cader-Frech, Miami Beach, FL
    Sprint Corporation Overland Park, KS
    The Shelley & Donald Rubin, New York, NY

    Источник: https://davidcastillogallery.com/artists/glexis-novoa/